The Mahavishnu Project is back in action, this time to perform the entire “Birds of Fire” album, the 1973 classic of jazz-rock fusion music, with new interpretations of the music of Jeff Beck and Jan Hammer in a bonus set of Beck’s “Wired” and “Blow By Blow” material. Catch the show in honor of the late great guitar hero at The Strand Theatre in Hudson Falls, New York on Friday, November 10th.
TICKETS AT THE STRAND THEATRE BOX OFFICE
TICKETS FOR THE CANCELLED AL DI MEOLA SHOW WILL BE HONORED AT THIS SHOW
American Idol Star Tristan McIntosh creates a stunning portrayal of Linda Ronstadt in the prime of her career. Catch her tribute performance at The Strand Theatre in Hudson Falls, New York on Friday, November 3rd.
Ripe’s new album Bright Blues is a collection of 12 songs full of sleek grooves and bold melodies n the middle of getting hit in the stomach,” says singer Robbie Wulfsohn, who came together with guitarist Jon Becker, drummer Sampson Hellerman and trombonist Calvin Barthel while they were all studying at Berklee College of Music.
The band drew acclaim from the likes of the Boston Globe, Huffington Post and WXPN with their first full-length, Joy in the Wild Unknown. Their streams on Spotify surged past 56 million as they conquered stages at festivals including Bonnaroo, Firefly, SweetWater and Bottlerock, and sold tens of thousands of tickets across the US, including selling out the iconic House of Blues Boston and Brooklyn Steel.
Bright Blues is their first release after signing to indie powerhouse Glassnote Records and their first release working with outside co-writers. Teaming up on production with Noah Conrad (BTS, Niall Horan) and Ryan Linvill (Olivia Rodrigo, Dermot Kennedy) helped bring the high-energy, freewheeling stage show to the recording studio, with the result being an album that shows the full scope of the band’s abilities as writers and performers. The live show has always been at the core of who Ripe is, and now the recorded music can stand alongside it as an all-encompassing representation of who the band is and where they are going.
Like a wild flickering image projected in widescreen, HOKO stretch alterna:ve into 360-degree experimental pop. The New York duo—Nathaniel Hoho [vocals] and Jesse Kotansky [guitar]—invite immersion into layers of rich soundscape architecture and hypno:cally hummable hooks. Pain:ng in broad strokes of psychedelia and rock, they unearth an uncategorizable and undeniable sound equally malleable and magnificent in its execu:on. Making a choice to pursue his passion full-:me, Central Pennsylvania na:ve Nathaniel honed his chops on the streets, traveling from one college and beach to another, busking to survive, and sleeping in the car. Eventually, he se`led in Brooklyn where he first crossed paths with Jesse at a barbecue. A world-class musician, Jesse shined as a Balkan violinist throughout his childhood, traveling to Turkey at six-years-old to perform. Collec:vely the two have worked with ar:sts including Pond, Nick Allbrook, GUM, Fab Moree of the Strokes, Mikey Shoes of Queens of the Stone Age, Ma` Shultz of Cage the Elephant, J Mascis, Uffie, Charli XCX, Elliphant, Peter Co`ontale, Willie J Healy, Royal Blood, and Adam Green.
Inspired by David Bowie, Queen, The Smashing Pumpkins, Tame Impala, The Strokes, The Beatles, and The Beach Boys, the pair hit it off and “started experimen1ng with new sounds in a pop space.” The guys caught the a`en:on of EQT and signed in 2020 as “OK OK” impacted radio and reeled in over 4.9 million Spo:fy streams, paving the way for their independent EP Heathen. Highlighted by fan favorites “Candy Eyes” and “Hellogoodbye” (which fellow alterna1ve maverick PVRIS officially remixed), the band con:nued to gain trac:on in between performing at Lollapalooza, Bonnaroo and suppor:ng ar:sts Milky Chance, Young The Giant, and X Ambassadors.Genera:ng streams in the tens of millions, this vision comes into focus like never before on a series of 2023 singles for EQT Recordings/Republic Records introduced by “Hazy.”
John Mulaney is a two-time Emmy and WGA award-winning writer, actor, and comedian. Mulaney can be seen in his latest Netflix stand-up special, BABY J. Released in April 2023, Mulaney converts his personal turmoil into comedic brilliance, which earned him 2023 Emmy nominations in Outstanding Variety Special (Pre-Recorded) and Outstanding Writing For A Variety Special. On tour, he has sold out massive venues around North America from Madison Square Garden multiple times to the Hollywood Bowl. His 2023 tour dates have included shows across US, Europe and Australia. In 2018, John Mulaney traveled the United States with sold out Kid Gorgeous tour, which was later released as a Netflix stand-up special and won the Emmy for Outstanding Writing in a Variety Special; In 2015, he released The Comeback Kid, also a Netflix original, which The AV Club called the “best hour of his career;” In 2012, his Comedy Central special New In Town had Ken Tucker of Entertainment Weekly hailing him as “one of the best stand-up comics alive.” John Mulaney has been invited to host Saturday Night Live five times. He began writing for SNL in 2008 and created memorable characters such as ‘Stefon’ with Bill Hader and appeared as a “Weekend Update” correspondent. He has written for IFC’s Documentary Now! and Netflix’s Big Mouth, on which he voices the character of Andrew. In December 2019, the critically acclaimed and Emmy-nominated musical variety special John Mulaney & The Sack Lunch Bunch debuted on Netflix. He’s also starred on Broadway in the runaway hit written and performed alongside Nick Kroll in Oh, Hello On Broadway. The duo have since release a Netflix special of the same name, as well as Oh, Hello: The P’dcast, based off their characters Gil Faizon and George St. Geegland. Please note: THIS IS A CELL PHONE FREE EVENT. We’re making shared memories. With your confirmation, you agree to place your phone in a locked pouch which you keep throughout the evening. If you need to use your phone, return to the distribution tent at the entrance. Anyone caught using a cell phone during the show will be immediately ejected.Tickets will be delivered by mail two weeks before the performance date. Any patrons with questions or concerns, please call the box office at (518) 346-6204.An emergency line will be available for patrons to be contacted during the event. Patrons who are on call or who have concerns about being able to be contacted for emergencies during the event should give the box office phone number (518) 346-6204 as the emergency contact. *In the case of an emergency, the theatre staff will need to know the exact name under which the tickets were purchased to contact the patron during the show. We appreciate your cooperation in creating a phone-free viewing experience.
After a two year hiatus, Capital Region rock & soul faithfuls Wild Adriatic return to the stage! The band spent the better part of a decade touring the world hitting festivals, Europe, and any room that would have them. Amidst the pandemic, Wild A recorded an album but was unable to return to the road as things continued to unfold. After taking some time to regroup and fall back in love with playing music together, the original core trio of Travis Gray (guitar/vocals), Rich Derbyshire (bass/vocals) and Mateo Vosganian (drums) decided it’s time to play another hometown show. With long-time keys player Dustin Deluke and saxophonist Mike Oehmen in tow, the band is releasing new music and returning to the stage at Putnam Place for their only show of 2023. Find their new single “A Simple Thing” on all digital platforms now.
After a decade-plus touring and releasing classic-tinged, powerful music, Pennsylvania quintet Chestnut Grove has announced their “Ta Ta For Now” farewell tour. Taking a break from playing together following this tour, the group will join their best friends Wild Adriatic in a celebratory night of their respective careers in music, deep well of friendship, and joy. Performing all your favorite Chestnut songs with special guest sit-ins and guaranteed sing-alongs.
Precious Metals is a solo endeavor led by Troy, NY singer-songwriter J Lee White, featuring a band of established local musicians–Mateo Vosganian (drums), Rich Derbyshire (bass) and Chase Keener (keys, guitar). The band’s high energy alt-rock sound pulls from the early 2000s emo explosion and 2010s indie rock revival. In their short time on the scene, they have taken the stage at Albany’s Pearlpalooza, traveled to the celebrated Appleton, WI fest Mile of Music and played the inaugural Bacchanalia festival in Troy. Precious Metals’ debut EP “Candid Chemicals” dropped in November 2022.
‘Mia x Ally’ is the electrifying duo project of electric violinist Mia Asano and bagpiper/multi-instrumentalist Ally the Piper. With a combined following of over 6 million people, both musicians officially joined forces in April 2022. Playing both original songs and covers of pop rock and metal music with a Celtic twist, Mia x Ally made their debut in Boston in August of 2022, playing two sold-out shows, and later went on to tour the East and Midwest on the “Shipping up to Boston tour,” selling over 3000 tickets. The two are working on their first full-length album, releasing in October 2023. Both from classically trained backgrounds, they share a dream of showcasing the vast range of their instruments, bringing them to the forefront of metal, rock, and pop music. Recognized by Metallica, Dragonforce, and The Charlie Daniels band for covering their music, this duo is turning heads and shaking up the industry, with a live show you won’t want to miss.
Mia x Ally VIP PRE-SHOW Meet & Greet – $109.50 – Exclusive Merch Bundle – Photo Opportunity – Early access to seats
The Pat McGee Band is what is commonly referred to as a band of journeyman musicians. In the 25 years since their formation, they’ve acquired a fanatical popular following, one that was so determined that it produced sales of over 100,000 copies of their first three albums and eventually caused Warner Bros. Records to take notice and sign the group to an exclusive contract at the end of the ‘90s. The band’s dedication to working the road was so steadfast that at one point in their ten year touring stint, they played a remarkable 98 concerts in 103 days. They shared stages with the Who, the Allman Brothers, James Taylor, and many more, and also achieved the ultimate honors — performing for President Bill Clinton and touring with the USO
The gatherings McGee continues to preside over — “Down the Hatch” and “Ocean State of Mind” — continue to attract the faithful on an annual basis while reconnecting friends and fans through that common bond that McGee and company have successfully nurtured over the past 25 years.
With a new album recently released to spectacular reviews, their first quarter century is only the beginning of their continuing career.
Doubt, followed by discovery. Demos that ended up as finished tracks. New beginnings, rear-view reflections, and ruminations on the fluidity of time: Uncertain Country captures these feelings and so much more.
This celebration, 11-songs long, follows a prolonged period of collective anxiety. Though recorded in different locales—and with a variety of musicians—a theme of questioning runs throughout. Even before the world turned upside down, singer-songwriter Tony Dekker felt mired in uncertainty: from the climate crisis and the ever-changing political landscape to deep shifts within the music industry. The “uncertain country” Dekker chose as the album’s theme is not a specific place. Rather, it’s a territory we, as humans, inhabit in the 21st century — a world that, more often than not, is confusing, unfamiliar and unsettling.
The long journey from there to here started more than three years ago, when Dekker took a 10-day trip to one of his favorite places: the north shore of Lake Superior. A pair of friends and collaborators: Adam CK Vollick (who filmed the experience) and Joe Lapinski (who co-produced Uncertain Country) joined him. On this immersive trip, the songwriter soaked in the beauty of the landscapes and learned the stories of the people who have inhabited them since time immemorial.
Making this joyful noise together again set a tone—and direction—for the record. The music morphed from hushed and folky to a more comforting, curated listening experience, acting as a kind of salve. One hears echoes of some of Dekker’s early 1990s influences: propeller-pop and indie lo-fi bands like Teenage Fanclub, Galaxie 500, and Buffalo Tom.
The rest of the songs on Uncertain Country were recorded in other acoustically distinctive locations close to Dekker’s home in the Niagara Region. Locales included the Silver Spire United Church in downtown St. Catharines, Ontario and a pair of buildings in Ball’s Falls Conservation Area in the village of Jordan Station: an old chapel that featured a pump organ and a historic barn on the same property.
Long-time Great Lake Swimmers member, multi-instrumentalist Bret Higgins is featured on many of the songs, as is keyboardist Kelsey McNulty. Guests include newcomers and old friends: the group Minuscule, an all-woman identifying choir based in the Niagara Region, led by choral arranger Laurel Minnes, and JUNO Award-winner Serena Ryder, who sings on a pair of songs: “I Tried to Reach You” and “Swimming Like Flying.”
“Moonlight, Stay Above” epitomizes what Great Lake Swimmers represents. The 10-voice strong choir lifts the lonely-sounding and wistful song up. As with that addition, the band on each album is fluid and always evolving. It always starts and ends with Dekker, but the songs themselves suggest what players and instrumentation might fit best with each new recording and live touring band.
Twenty years since the first self-titled release, Uncertain Country shows a songwriter at the top of his craft with so much more to say. In a time of uncertainty, one thing is certain: the Great Lake Swimmers’ first collection of new songs in five years is worth the wait.
“Dekker’s preoccupation with the Canadian state of mind flourishes in his lyrics. Few songwriters are able to convey the country’s harsh beauty as well. …Canadian folk tradition personified in the 21st century” – Exclaim!
“Dekker has done a masterful job of finding that balance on The Waves, the Wake, which has enough connections to the past to satisfy long-time fans of Great Lake Swimmers even while the singer looks to the future and moves forward as an artist.” – The Georgia Straight “A minimalist, atmospheric compendium of songs with a sonic environment the listener can easily get lost in.” – The Vue “Ambient Zen Americana” – Mojo
The two songs that open Uncertain Country, the title track and “When The Storm Has Passed,” were recorded at the Oddfellows Temple Hall in St. Catharines, Ontario in September 2020. These jubilant sessions, following five months of unease, were a much-needed release for Dekker and his band. Both songs capture the album’s themes of the elasticity of time and processing change.
Named ‘Best Group/Duo’ in the International Acoustic Music Awards, acoustic duo Ryanhood got their first break more than a decade ago as street performers at Boston’s Quincy Market. It was there that they were spotted by a college booking agent and thrust into the college touring scene, where Campus Activities Magazine would name them “one of the most requested acts by college buyers all across the country.” They’ve since gone on to perform more than a thousand shows in 46 U.S. states over the past decade, and have shared stages with Jason Mraz, Matt Nathanson, Train, and many more.
And, their star is still on the rise. Ryanhood was recently named the “Discovery of the Year” by John Platt at WFUV in New York City, and was a featured act at Australia’s National Folk Festival in 2018.
Their latest album Under the Leaves, sees the pair’s lead guitarist Ryan David Green stepping into the role of sole producer, weaving a tapestry of lush strings and rich harmonies. The album, like their shows, is driven by strong acoustic guitar performances and is at turns energetic, hopeful, and quietly moving—a musical invitation to breathe, and to soak in a river of melodies and harmonic hooks.
Cameron Hood, the band’s primary lyricist, has waded into those musical rivers with dream-like verses about seeds and forests, breath and wind, and the cycles and seasons that frame our lives. Throughout the album’s songs, a question is asked: How do we create meaningful and lasting change in a world filled with division and turmoil? The offer on Under the Leaves is to slow down and face the one thing we have the power to change – ourselves – as the duo sings on the album’s second track, “The only revolution is the one within.”
Green and Hood currently reside in their hometown of Tucson, Arizona, where they have won more than a dozen Tucson Music Awards including “Best Folk Band” and “Best Rock Band” (you can decide for yourself which is most accurate).
One year after their hit PULSE took dance floors by storm, born-and-bred New York six-piece MICHELLE brings their “lively” (NME) brand of indie pop to the Hunter Center in celebration of MASS MoCA’s newest exhibition, Like Magic, opening October 28. Dance a euphoric future into being through the power of MICHELLE’s “addictive” melodies, as they blend unique perspectives and backgrounds into one cohesive, unforgettable celebration. All ages.
Get the party started early and join us before the show for the member preview & celebration of our newest exhibition, Like Magic. Free for members, open to all.
Not yet a member? Become one here for event discounts, exclusive invites, and more.
Experience the Ultimate Singlecut Shakedown! Mark your calendars for October 21st, from 4 PM to 10 PM, and join us for an extraordinary day festival featuring an incredible lineup of live bands, delectable food options, a wide selection of craft beer, and a diverse array of talented craft vendors.
The Kooks – ‘10 Tracks To Echo In The Dark’ album biog
When you look back at the sea of mid-noughties indie bands, there are few still standing and even fewer, some fifteen years later, who are still experiencing career highs. But this was the precise spot The Kooks found themselves in, four years ago.
After a worldwide arena tour, the release of their 2018 UK Top Ten album ‘Let’s Go Sunshine’ saw the Brighton band topping the bill at festivals across Europe and at home. The streaming boom had opened up The Kooks up to a new audience of young fans who loved their distinctive brand of indie rock and were itching to see them play live.
Coming off the back of a punishing tour schedule, frontman, Luke Pritchard – vowed to take a bit of a breather. But instead, found himself right back in the studio.
“I started going to Berlin for three or four days at a time. I was really affected by Brexit and I wanted to make a bit of a statement by creating a European record,” he explains. “We’re a European band, we practically lived out there and have so much love for Europe, so we wanted to keep that connection.”
Berlin has long been something of a creative Mecca for artists from all over the world and Pritchard found himself moving in those circles, meeting the collaborators he would work with on their behemoth of a sixth album, ‘10 Tracks To Echo In The Dark’. The period was one of work, inspiration and creativity as opposed to partying. “I wasn’t doing any drugs,” Pritchard attests. “It was more dive bars and a bottle of whiskey than Berghain.”
The environment quickly started to work its magic. “A lot of songwriters have found refuge in Berlin”, he says. “It’s a free place, it’s not so consumed by commerciality. I was looking for something a bit rawer, a little bit more minimal. Sometimes you just pick up these nuances somewhere. It’s not necessarily the people, it’s the place.”
Armed with a new mantra – to not overthink things and just make a record that he’d want to listen to at home, the ideas came freely and easily. Pairing up with Tobias Kuhn to co-write and produce the bulk of the record, their first writing session saw them pen intention-setting lead single, ‘Connection’, in just a few hours. Things were moving well with the pair laying down five tracks, but in March 2020, COVID put a stop to Pritchard’s European dream, forcing him to return home to the UK to finish the writing sessions over Zoom until Tobias was able to fly out to London and record with him and the rest of the band, Hugh Harris (lead guitar/synthesiser/bass) and Alexis Nunez (drums).
Despite the dual locations, there’s a distinct Berlin sensibility to ‘10 Tracks To Echo In The Dark’. Flirting with genres from 80s synth-pop to funk to prog rock, the album is still, at its core, an indie record and a Kooks one, at that.
It’s a record that doesn’t try to reinvent the wheel but takes that classic Kooks sound and adds something of a retro-futurist slant – both sonically and in mindset. It’s an album about being hopeful and seeing the great in the world, despite the darkness. There are unapologetic love songs (‘Without A Doubt’, ‘Oasis’), tracks about partying through pain (‘Connection’), terrible exes (‘Cold Heart’) and even a song for Pritchard’s newborn son, Julian. (‘Beautiful World’), born prematurely while the band were on tour in Mexico.
Getting married and becoming a father you get a sense that we’re hearing from a new Pritchard – one whose demons are behind him and is optimistic about the future.
“I really hope that sense of inner peace comes across,” says Pritchard of the album’s resoundingly optimistic outlook. “I really want to have fun with my life at this point. But also – it’s kinda a reflection of what I was feeling in real-time in a pre-and-post COVID world. I was reading a lot of sci-fi – like Philip K. Dick, Azimov and surreal stuff like Boris Vian – which is obviously really distracting from what’s going on in the world, but helped me be imaginative with the songs.”
It’s a relief to hear a healthier perspective from a band who have had their struggles played out in the press for fifteen years. Bagging a slew of top 20 hits in their teens (‘Naive’, ‘She Moves In Her Own Way’) with 2006 quadruple-platinum debut album ‘Inside In/Inside Out’, the young band didn’t always know how to handle everything that came along with superstardom.
“Mental health has been a big focus of our band for quite a while now. Because we’ve all struggled in our own ways. That’s not to say we haven’t had amazing lives, but just we struggled with fame big time, like really struggled. And we got it wrong a lot of the time.
“We did get famous quite quickly and we didn’t have a lot of the stability required to not let that seriously affect you. All of us, in our own ways, have made some very poor judgements and some really good judgements. And we’re here, so it means we’ve done very well to keep it going and to keep ourselves sane. But I have ultimate compassion for anyone who gets famous anywhere.”
But as with everyone, there comes a point in life where you reach a sense of stillness, you become more comfortable in your own skin and the right path becomes clear to you. The band have been experimental over the years – most notably on 2014’s Inflo-produced jazz-funk album ‘Listen’ – something that has been key to their longevity, but getting back to what people love about The Kooks was front of Pritchard’s mind: whether that person was “a fifteen-year-old kid in South Africa or someone who was at our first concert.”
The result isn’t a rinse and repeat of their earlier sound, though. Instead, we get those infectious Kooks melodies and riffs, but over synths and electronic beats. There’s even some saxophone in there, moving their trademark sound well into 2022.
“Indie is a word we were running from for quite a long time,” he admits. “The band’s done a lot of different records, but we do have quite a style. A big part of it was not running from anything. We’re gonna just do what we do, but better and with a few more fresh ideas.”
In the studio, he made some rules: not to overcomplicate things, throw in some old-school Kooks riffs, “the very classic, Naive-y kinda stuff, but with more minimalism” and to get back to that noughties thing of treated vocals. “It’s not that I hate my voice – I just mainly dislike it. So the more you can disguise it, the better!”
Having that focus helped make a cohesive record that leans on the band’s legacy while still sounding fresh. “On certain albums you make decisions based on other things and you start
trying to chase your own tail. This record isn’t about trying to smash everything up and reinvent. COVID hitting in the middle of recording was a good time to kind of really reflect on all our albums and be really happy with our journey.”
As The Kooks, continue to reach an ever-growing audience of young fans, ‘10 Tracks To Echo In The Dark’ feels like a mission statement. It’s a celebration of getting through troubled times and a rallying cry for our future.
This is a band whose career highs are still to come. They’re right to feel optimistic about what’s next and that the future might be a little bit brighter.
And the key to seeing fifteen years of success as a band?
Hailing from the vibrant music scene of Denver, Colorado, Steely Dead is a national touring band that has satisfied the curiosity of music lovers with their unique blend of Grateful Dead and Steely Dan. Comprised of four exceptionally talented musicians – Dave Abear on guitar, Matt Abear on bass, Chris Sheldon on drums, and Dylan Teifer on keys – Steely Dead has gained a dedicated following with their electrifying performances and soulful interpretations of classic tunes.
Steely Dead’s repertoire is a carefully crafted fusion of Grateful Dead and Steely Dan songs, between the arrangement and precision studio recordings of rock legends Steely Dan, cross-pollinated with the Grateful Dead’s free-flowing, melodic improvisation and masterful song segues. Steely Dead merges these major concepts together infusing the influence into each band, all the while creating an original jam element with the song segues. Steely Dead’s performances are a musical journey that takes audiences on a nostalgic trip through the golden era of rock and roll.
As a national touring band, Steely Dead has built a loyal fan base that eagerly anticipates their shows and follows them from city to city. Their performances are not just concerts, but communal gatherings where fans come together to celebrate the music they love, dance, and create lasting memories.
Steely Dead’s performances are a testament to the power of live music, bringing people together and creating an unforgettable experience that resonates long after the last note fades.
Steely Dead is not just a band; it’s a musical experience that captures the hearts and souls of music lovers everywhere
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The Ramona Flowers are going to swing by Indian Ladder Farms
for a free, stripped-down performance in the Pizza Garden
on Friday, October 20th at 7pm.
No ticket needed
Free show
Melvin Seals has been a powerful presence in the music industry for over 30 years with a long-established reputation as a performer, recording artist and producer. Melvin is most revered for his powerful, high-spirited, Hammond B-3 organ, and keyboards in the Jerry Garcia Band. Melvin spun his B-3 magic with the Jerry Garcia Band for 18 years and in doing so helped pioneer and define what has now become “Jam Band Music”. From blues to funk to rock to jazz, Melvin Seals serves up a tasty mix with a little R&B and gospel thrown in to spice things up. Melvin and JGB bring an intuitive, expressive style, soul, spontaneity and remarkable chops to the table.
John Kadlecik on lead guitar and vocal duties, John-Paul McLean’s savory bass, Jeremy Hoenig on the drums and, of course, a heapin’ helpin’ of the wizard’s magic on Hammond B-3 Organ and keyboards. Their chemistry is the focus from which they create a spontaneous and high art where the sky is the limit musically. They offer an exciting, often psychedelic musical journey that changes nightly and keeps the audience dancing and smiling (and some staring in amazement) for hours. Adding his rock-gospel-soul-rhythm and blues touch with his funky style of playing, no wonder Jerry nicknamed him “Master of the Universe”.
Melvin continues to treat music lovers to his unique brand of melodic flavor with JGB. Come see and hear for yourself!
MELVIN SEALS & JGB: Melvin Seals – Hammond B3 Organ, Keyboards & Vocals John Kadlecik – Electric Guitar & Lead Vocals John-Paul McLean – Bass & Vocals Jeremy Hoenig – Drums
Come one, come all to Indian Ladder Farms this Saturday at noon for a free, stripped down performance from Barns Courtney – and get your tickets now to see his full concert Saturday night at Empire Live at WEQX.COM
He’ll be performing 4-5 songs in the Tasting Room which is located in the barn…yes, Barns is playing the barn!
